You can then "decode" the M/S by copying the figure-8 track to a new, 3rd track, reversing its phase, panning it hard left (or, I believe, panning it opposite the direction the "front" of the figure-8 mic is facing) and then panning the original figure-8 track hard right. In a nutshell, mic up the voice with 1 mic facing the singer (in cardioid) and place a 2nd mic right near the first, but in figure-8 with the diaphragms perpendicular to the source.
If you're looking to get creative - research M/S (mid side, mono stereo) miking technique.
I agree with the other guys - mono is the de facto when recording a single voice.
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